Before people had hundreds of channels, if they wanted to watch surgery or gawk at celebrity babies, they had to actually leave the house. Here are some of the ways people entertained themselves in the pre-TV era.
Attending Public Dissections
Thanks to advances in science and the relaxing of church and government laws, the dissection of human corpses came back into vogue in the 1300s. At first these dissections were performed in small rooms or houses for the benefit of a handful for medical students. Then, almost overnight, a bored and apparently pretty morbid public started clamoring to attend them as well.
Specially designed “anatomy theatres” were purpose-built in many of the major European cities; most could seat well over 1,000 people. Tickets were sold to the public and the prices often varied based on how “interesting” that particular corpse was. The most expensive tickets sold in Hanover were 24 Groschen to see a woman who died while pregnant. The audiences were so excited about what they were watching that as early as 1502 a surgeon recommended having guards present at each dissection to “restrain the public as it enters.”
While most etchings from the period show only men at the viewings, women attended as well. In 1748, the crowds to see cadavers dissected at the theatre in Dresden, Germany were so large that they started having “ladies only” viewings, during which the women were invited to touch the corpses.
In many countries, these viewings only happened three or four times a year due to a lack of available bodies. In Bologna, Italy, dissections became fancy events, with women wearing their best clothes to the viewing, and balls or festivals followed in the evening.
Then in England in 1751, Parliament passed the Murder Act, allowing for all executed criminals to be publicly dissected. The increase in the number of public dissections did not diminish their popularity, and thousands of people continued to attend them each year until they were finally outlawed in the 1800s.
Watching People Inflate Balloons
Starting as early as the preparations for the first-ever hot air balloon flight in 1783, watching balloon ascents was incredibly popular, drawing some of the biggest crowds ever seen in Europe. Even the filling of the first balloon, which took numerous days, drew such huge crowds that they were in danger of interfering with the process, and the balloon had to be secretly moved the day before the flight. Benjamin Franklin, then the American Ambassador to the court of Louis XVI, was among the thousands of people who witnessed the first unmanned flight in Paris on August 27th. When the balloon came down in a village a few miles away, the locals were so terrified that they attacked it with pitchforks and rocks, destroying it.
The Montgolfier brothers sent the first living creatures (a goat, a duck, and a rooster) up in a balloon at Versailles in front of an enormous crowd that included the King and Marie Antoinette. The first ascents with humans drew upwards of 400,000 people, or “practically all the inhabitants of Paris,” with many of them paying large sums to be in special “VIP sections” close to the balloon.
The first hot air balloon flight in England was orchestrated by a man named Vincenzo Lunardi and drew a crowd of 200,000 people, including the Prince of Wales. One woman in the crowd was so astonished at the sight of the balloon that she supposedly died of fright and Lunardi was tried for her murder; he was eventually acquitted. George Washington was part of the crowd that viewed the first ballooning attempt in America in 1793.
Despite the overwhelming public interest in ballooning, it, like everything always will, had some detractors. Among their biggest fears were that women’s “honor and virtue would be in continual peril if access could be got by balloons at all hours to [their bedroom windows.]”
The first escalators completely blew people’s minds. Nothing remotely similar had ever been seen before. Jesse W. Reno patented his idea for an “Endless Conveyor or Elevator” (later called the “inclined elevator”) in 1892, and by 1896 the first working example had been installed…as a ride at the popular Coney Island amusement park.
It differed from modern elevators in that you sat on slats rather than stood on stairs, but the general principle was the same. The belt moved the riders up about two stories at a 25 degree incline. It was only displayed at the park for two weeks, but in that short time an astonishing 75,000 people rode it.
The same prototype was moved to the Brooklyn Bridge for a month-long trial period. It remained popular there, and in 1900 was shipped to Europe and displayed at the Paris Exposition Universelle, where it won first prize. Shortly thereafter, the Otis Company bought Reno’s patent and started producing escalators for businesses.
The novelty and excitement of riding an escalator was such that in 1897, the first department store in New York City to install one, Frederick Loeser, actually included it in its advertisements, promising customers that they could reach the second floor in a mere 26 seconds!
But while these escalators were very popular, they all had something in common: They only went up. It took the public and businesses almost three decades to accept that the far more frightening down escalators were safe to use.
Taking Pictures of Themselves
While there were different versions of photo booths starting in the late 1800s, they didn’t produce great pictures. The beginning of the modern photo booth is usually traced to one man, a Russian immigrant named Anatolo Josepho. He trained as a photographer in Europe and after a spell in Hollywood learning the mechanics of cameras, he moved to New York City. There he managed to borrow the astonishing sum of $11,000 to make his first photo booth. It produced clear pictures and could run completely on its own. He opened a studio on Broadway in 1925, put the photo booth inside, and sat back to watch the money roll in.
For 25 cents, customers were led to the box by a “white-gloved attendant,” who would then direct them to “look to the right, look to the left, look at the camera.” Then after about ten minutes, the booth spit out eight photos and the customers went away happy. They probably told all their friends to check it out — and check it out they did. Soon, the line to the studio was stretching around the block, and up to 7,500 people a day used the machine. According to the April 1927 issue of TIME, more than 280,000 people visited the photo booth in the first six months alone, including the Governor of New York and at least one Senator.
Within a year, Josepho was astonishingly wealthy and dating a famous silent film actress. Then a consortium of investors offered to buy his patent for $1 million. He accepted the deal, and immediately put half of that money into a trust for various charities. He invested the other half in several inventions.
Imitation photo booth studios popped up around the US and Europe, and even the Great Depression didn’t diminish people’s desire to look at pictures of themselves. One shop owner in NYC was so busy he managed to keep his entire extended family employed for the entire Depression.
Staring at Quintuplets
At the time of the Dionne Quintuplets’ birth in 1934, in Ontario, Canada, no one even knew conceiving five babies at once was possible. Not only was it possible, but babies Yvonne, Annette, Cecile, Emilie, and Marie thrived despite being delivered two months premature. Their existence was so astonishing that newspapers paid huge sums for photos of them. A year later their father signed a lucrative contract to display the girls at the 1935 Chicago World’s Fair.
The Canadian government stepped in, claiming that their parents were obviously not fit to raise the quints if they were willing to exploit them like that. The Canadian parliament quickly passed a bill making the girls wards of the state. The quints were placed in a hospital/nursery directly across the street from their parents, where the Canadian and Ontario government proceeded to exploit the girls themselves, to an astonishing degree.