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Wang’s “cybernetic” sculptural works explores the relationship between man and technology.
The characteristic faces that are repeatedly found are in fact a self portrait of Wang himself. Wang’s combining of human features with the artificiality of the machinery are derived from the three stages of cybernetics. Wang is particularly interested in the stage of cyborg, of robots being able to take on roles of the human body such as artificial arms and legs to aid humans. Thus Wang is challenging of the often thought perception that the moral nature of human being are lost with the advancement of artificial intelligence.
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